THE WESTERN BOUNDARY
This morning, just before six, there’s a leisurely feeling of quietude to the Wolf Sound. Hardly a ripple stirs the water in the dead calm, and the garden is so still it's as if time had been suspended. Only the birds are stirring things up, insisting that life goes on even though the wind died. Gone and good riddance, I'd say.
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TAKING NATURE UNAWARES
..Towards the end of the appleblossom
I came across an inspired description by Nathaniel Hawthorne in the prefaces part of Paul Auster's Collected Prose (2003) of the methodology of contemplating a landscape:
“The best way to get a vivid impression and feeling of a landscape, is to sit down before it and read, or become otherwise absorbed in thought; for then, when your eyes happen to be attracted to the landscape, you seem to catch Nature at unawares, and see her before she has time to change the aspect. The effect last but for a single instant, and passes away almost as soon as you are conscious of it; but it is real, for that moment. It is as if you could overhear and understand what the trees are whispering to one another; as if you caught a glimpse of a face unveiled, which veil itself from every wilful glance. The mystery is revealed, and after a breath or two, becomes just as much a mystery as before.”
From: American Note-books (1835)
..Pearblossom odyssey
As I sometimes read under the old pear tree without ever having noticed this phenomenon, I tried it out the other day to see if I could reproduce Hawthorne’s experience. I’m not sure if the highly suggestive quality of his prose led me to believe I caught a glimpse of the garden unveiled, but that doesn’t matter, I think. Beliefs have existence, too.
This morning, just before six, there’s a leisurely feeling of quietude to the Wolf Sound. Hardly a ripple stirs the water in the dead calm, and the garden is so still it's as if time had been suspended. Only the birds are stirring things up, insisting that life goes on even though the wind died. Gone and good riddance, I'd say.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
TAKING NATURE UNAWARES
..Towards the end of the appleblossom
I came across an inspired description by Nathaniel Hawthorne in the prefaces part of Paul Auster's Collected Prose (2003) of the methodology of contemplating a landscape:
“The best way to get a vivid impression and feeling of a landscape, is to sit down before it and read, or become otherwise absorbed in thought; for then, when your eyes happen to be attracted to the landscape, you seem to catch Nature at unawares, and see her before she has time to change the aspect. The effect last but for a single instant, and passes away almost as soon as you are conscious of it; but it is real, for that moment. It is as if you could overhear and understand what the trees are whispering to one another; as if you caught a glimpse of a face unveiled, which veil itself from every wilful glance. The mystery is revealed, and after a breath or two, becomes just as much a mystery as before.”
From: American Note-books (1835)
..Pearblossom odyssey
As I sometimes read under the old pear tree without ever having noticed this phenomenon, I tried it out the other day to see if I could reproduce Hawthorne’s experience. I’m not sure if the highly suggestive quality of his prose led me to believe I caught a glimpse of the garden unveiled, but that doesn’t matter, I think. Beliefs have existence, too.
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